I found this cot quilt in a charity shop yesterday ( thrift shop). I think that it is machine made ( or maybe not).I think that it’s not very old ( maybe it is). It is destined to be re purposed in my Textile inspiration packs and have another life. See my Etsy shop email@example.com
Use it up, wear it out, make it do or do without!
As I said I recently spent a beautiful weekend in Plas Tan Y Bwlch with the North Wales Embroiderers Guild.
At first I was overwhelmed by the talent of the other Guild members, but then I decided that I can only learn from them. I learned a LOT.
There were three tutors on the weekend and we each chose to attend one “craft” There was screen printing, machine embroidery and Appliqué. I chose to stay in my comfort zone of appliqué.
Our tutor was particularly good as she showed slides of her journey through Uzbekistan and the textiles which are a specialty of that area. The Suzanis were very similar to the textiles that I saw in India.
These cushion covers were embroidered by my Nanna ( Grandmother) in circa 1950 They were embroidered using a variety of stitches and stranded silk threads.
The cushion covers were worked onto white linen and have to be stitched onto the cushion pad as there is no zip or fastening. They have been freshly laundered and had some running repairs today. They now have pride of place in my lounge and I adore them!
They are NOT for sale in my Etsy shop!
What a difference a day makes! Today was sunny, bright and cheerful. There was a “start of the season” party on the sea front today. There was live music, RNLI (which we all hope we will never need!) children’s games and a display of plastic waste! The plastic was shocking and brought home how much plastic waste that there must be in the sea. Nothing better than visual aides!
I have also put another vintage cloth into my Etsy shop Visit noddfacrafts.etsy.com
This is a beautiful vintage linen tray cloth.
Scrap booking is not a craft that I normally indulge in, but my recent Indian adventure inspired me to make a record of it. I had printed off a selection of my many photographs, bought some glue and off I went. I had purchased a beautiful note book whilst in India which is what I have used.
I collected waste silk from the dying process, ephemera from the hotels and Textile workshops and of course, photographs. All these have been added to the scrap book. I’m not quite finished because there has been much more work than I anticipated. Hubs is keen to reclaim the dining room table so complete I will. May be I could do another one on crafts??
There is a dining room table under here somewhere!
Whilst my trip to India was a wonderful adventure, I was extremely disappointed to find on arrival in Delhi that the block printing section had been removed from the itinerary ( as were most other people on the tour) The travel company “Colouriscious” had removed that leg of the holiday and no one realised until we arrived in Delhi. The remaining elements of the adventure however, were amazingly good.
We did see a small example of block printing when attending other workshops.
Used blocks covered in Indigo paint.
Cloth printed and partially embroidered. This fabric is destined to become a sari. When the embroidery is complete it will be washed in the river ( Which didn’t look too clean!) and dried in the sun. The washing removes the indigo print and leaves the white embroidery. It will become a beautiful, very white sari.
Bear with me! Only one more Textile Adventure blog to go!
There was men weaving on “pit looms” the most exquisite silk saris. Their sons would often sit with them to learn the trade. The homes where this takes place, were frequently poorly lit. Interestingly they were also listening to cricket on the radio ( and India was winning!)This lady attempted to show us how to work Chiken stitch a traditional shadow stitch often worked on saris and pashminas. I tried hard but failed miserably!Market stalls were piled high with traditional textiles in eye popping colours.
Traditional crafts were apparent in the maintenance of buildings, contrasting with the poverty on the roadsides and city streets.
on my recent “Textile Treasure Hunt” to India I saw many people working long hours in often, difficult conditions. They were invariably pleasant, smiley and happy.
Don’t you just love these Terracotta horses? We visited the Sanskrit Centre today. It is a museum and arts centre with three museums. The museums are dedicated to Terracotta (or pottery) Everyday art and Textiles. Sadly we could not take pictures of the inside and their beautiful textile display. Also they did not have post cards or photographs of the displays as it would not be in keeping with their philosophy of no commercialism.
There were artists in residence with accommodation available. We saw a potter making these clay horses and I met a photographer who was on a seven week sabbatical. A lovely place to retreat into crafts.
The exhibition of textiles was amazing and inspiring. Another Forget me not sort of a day.
This Textile Treasure Hunt here in Varanasi India just keeps on giving. Today we visited silk weaving. This is carried out in the homes of local people in rural areas. I
am in a permanent state of shock, both culturally and dietary. The people are lovely and regard us as odd because many rural communities have not seen “white”faces before, especially the children.
The silk weaving is the main occupation and carried out by the men. It is a patriarchal society.
The silk produced is beautiful, colourful and hand woven. It is mainly produced for Saris, scarves and for dressmaking.
This morning we visited a Hindu village where the looms are hand driven just as they have been for hundreds of years. During the afternoon we went to a Muslim area of Varanasi where the looms are motor driven . We had the inevitable shopping opportunity where a beautiful silk scarf found its way into my bag!
just an example of some of the intricate weaving.
I’m attempting a little slow stitching, which in other times was called “embroidery!”
Slow stitching centres around the “make do and mend” and “waste not, want not” ethos of yesteryear. It is a nod to the generations that came before ours in which reusing and recycling were necessary and admirable.
This is not a complicated process which relies on numerous fancy, perfectly executed stitches and fastidious neatness. Rather, we embrace the timeworn nature of our materials, and the individuality of our stitching methods.
Simplicity is key.
We are passionate fabric lovers, and we have a stash of “just because” pieces we’ve found along the way to prove it. We love to hunt at flea markets, charity stores and church fetes for the cloth treasures and embellishments we will repurpose. We can lose ourselves in the online world of instagram and etsy…..oh the possibilities…
I am currently using some of my vintage stash to create a Hexi quilt, which is the ethos of the Slow stitching movement.